Artes Visuales: The Latin American Avant-Garde in Print is a recent publication emerging from sustained research into one of the most influential magazines in Latin American art. The volume brings together essays by Hunter College MA and MFA students, revisiting Artes Visuales as both a publication and a transnational network.

Through essays, interviews, and case studies, this richly illustrated volume examines the reception, uses, and cultural impact of Polaroid photography in Hungary from the 1970s. It explores how Polaroid practices differed from those in the West, highlighting diverse artistic applications. Written in Hungarian, it includes an English-language summary.

During the long nineteenth century, the women of Istanbul transformed their appearance, adopting European dress and new modes of self-fashioning, including photographs. Drawing on a close examination of surviving garments, photographs, paintings and writing by Ottoman and foreign women, Fashion in late Ottoman Istanbul reconstructs a complex fashion history, and the dramatic changes that took place in women’s lives in this period.

Teaching Photography: Notes Assembled explores photography as a way of seeing rather than merely producing images. Through concise reflections and teaching notes, Philip Perkis shares insights on perception, creativity, attention, and the emotional depth of photographic practice. This Spanish translation by Bandia Ribeiro Cendán.

A richly illustrated look at three visionary artists who charted new directions for photography in mid-century America. Published in association with the Princeton University Art Museum on the occasion of the exhibition Photography as a Way of Life: Minor White, Aaron Siskind, and Harry Callahan.

Almost two decades before photographs were attached to passports anywhere in the world, Ottoman Armenian expatriation portraiture is one of the earliest examples of the use of surveillance photography for border control. Written in conversation with descendants of those photographed, working across borders, Portraits of Unbelonging offers both a genealogy of the document-based global security regimes that govern citizenship and mobility today and an intimate history of unbelonging and belonging.

A complete, two-volume slipcased special edition documenting the radical, experimental photography of Grey Crawford’s Chroma series. Essays by Jonathan Casciani, Ashley Gallant, Hannah Glauner, Timothy Persons, Mark Rawlinson, Lyle Rexer, and detailed, technical descriptions of the process used to create the images in the darkroom by the artist himself.

For decades, the contributions of Chicano photographers to American art history have been largely overlooked. Chicano Camera Culture: A Photographic History, 1966–2026—published to accompany a major exhibition at the Cheech Marin Center for Chicano Art & Culture (“The Cheech”) of the Riverside Art Museum—offers the first comprehensive survey of photography by Chicano artists based throughout the US.